Facing the Pavilion of Germany, the pavilion occupies a privileged position. Its 8000 m² aims to give visitors a taste of France, the pleasure and desire to discover and rediscover a country rich in tradition and innovation. Its strengths are its diversity and technicality; the pavilion’s primary objective is to seduce and amaze all generations.

The façade illustrated by the Walking Man of Etienne Jules Marey marries science and cinema. It is a synthesis of movement and mobility. The lighting and graphic treatment enhance its scientific character and technological dimension.

A cinematic spatial presentation, “The Exhibition Seen by the Professions of Cinema,” invites professionals to discuss movement, using images, light, and sound illustrations to create an illusion with a decor, synthesizing all these professions to leverage each person’s skills to transform visitors into spectators: to concretely translate a dream.

The entrance of the pavilion, a transition area, isolates the spectator from the outside ambiance. The sounds deepen, the light dims: the countdown begins…