Galerie Nationale du Grand Palais
Réunion des Musées Nationaux
Pascal Rodriguez
2000 m²
Scenographic rearrangement, study and carpentry fabrication of the walls, showcases, furniture, pedestals, distance settings, the bookstore, in the workshop, assembly on site, painting of all volumes, installation of carpets, wallpaper, installation of showcases, glass domes, logistics.
Curators: Sylvie Patry, curator at the Musée d’Orsay; Claudia Einecke, curator at the Los Angeles County Museum of Art; Jean-Patrice Marandel, chief curator at the Los Angeles County Museum of Art; Joe Rishel, Gisela and Dennis Alter chief curator for European art before 1800, the Johnson Collection and the Rodin Museum, The Philadelphia Museum of Art, Jennifer Thompson, curator, The Philadelphia Museum of Art. For the section “Renoir Sculptor” Emmanuelle Héran, Heritage Curator, For the section “Documents about Renoir” Isabelle Gaëtan, documentary studies officer at the Musée d’Orsay.
From September 23, 2009, to January 4, 2010
The last years of Pierre-Auguste Renoir (1841-1919) represent a period often overlooked as the painter is associated with the golden age of Impressionism. However, towards the end of the 19th century, he embarked on new and fruitful research. Renoir then establishes himself as the master of a decorative and classical art, nourished by tradition, but also as an example for new generations of artists.
The exhibition will bring together about a hundred paintings, drawings, and sculptures by Renoir, from public and private collections around the world. These nudes, portraits, and model studies were once owned by Matisse or Picasso. Divided into about fifteen sections, they will occasionally be confronted with works by Picasso, Matisse, Maillol, or Bonnard, attesting to Renoir’s legacy. Thus, the exhibition invites viewers to reconsider the later works of Renoir by exploring the perspective that these artists from the first half of the 20th century had on a 19th-century master who was their contemporary.
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